Coincidence? What would Brecht Say?

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Is it a coincidence that Simon Stephens’ gritty new adaptation of Brecht’s Three Penny Opera is playing at the National Theatre, London at the same time that Mr. Stephens and a group of fellows will be addressing my peer cohort at Oxford about the saliency of recycling Brecht for today’s audiences?

I doubt it, but I don’t much care either way. I’m jazzed about getting to see this production
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and then collaborating with my Oxford posse on future possibilities.

Oh, and well done National Theatre. Casting an actor with a disability in a role not specifically calling for such is inclusive and a smart thing to do.
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Good step in the right direction.

Visit link below to read review. Sorry, but you’ll have to copy and paste in your browser. I can’t seem to make the link active. It’s worth the extra little step–it’s a good read.

http://www.timeout.com/london/theatre/the-threepenny-opera-1

St. Hugh’s College, aka “The Nutcracker Suite”

Who was St. Hugh? I had to look him up.

Turns out he’s was a 13th century Bishop, originally Hugh of Avalon, who, at the time of the reformation, was the second best known English saint after Thomas Becket.

Hugh stood up to King Henry II and declared his independence from him, even though it was the King who had established him in his Carthusian Charterhouse as prior. Henry apparently had done this as partial penance for the murder of Becket. Hugh, clearly good with those emotional types, managed to stay alive and do good work for the rest of his life, for which he was ultimately canonized.

St. Hugh is the patron saint of sick children, sick people, shoemakers (why not?) and swans.
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He is also a direct ancestor of good old Elizabeth Wordsworth, niece of poet William Wordsworth, and the founder of the college. Elizabeth, who had herself been educated at home since Oxford was not a terribly accessible place for women in those days, wished to create an institution of learning for women “who find the charges of the present Halls at Oxford and Cambridge (even the most moderate) beyond their means”.

In 1866, after inheriting money from her father, Bishop of London, she set up the school.
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The wonderful woman in her prime.

St. Hugh’s College is now considered one of the more beautiful among the Oxford constituent colleges, having fourteen and one half acres of beautiful garden and landscape.
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All of which I am looking forward to seeing.

Interestingly, at the outbreak of World War II, St. Hugh’s College was requisitioned by the military for use as a hospital for head injuries. It was known by locals and doctor’s on site as “the Nutcracker Suite”. Nice.
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The Nutcracker Suite going about cracking those nuts

(Being a survivor of a traumatic head injury, I find the coincidence of heading there myself rather intriguing).

And now, from their own marketing materials: “St Hugh’s is unusual amongst Oxford colleges in guaranteeing undergraduates accommodation on site for all years of their course”.
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I am finding that to be true since more than half of my courses will be held there. As a result, I also will be “accommodated” there, sleeping in a 150 year old private dorm room, sharing a shower and bathrooms with my peers and hoping to soak up some of the same kind of inspirations that fueled the dreams of
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Aung San Suu Kyi, Nobel Prize Winner and alumnus extraordinaire, who was accommodated there before me.

St. Hugh’s, I’m happy to meet you.

Me Before You, a trope of crap

It seems “Me Before You” is raising a sea of voices. I think that’s good. I’ve read several, including a recent one from Allegra Keys, who writes eloquently. She mentions she can’t address what it’s like to think about life pre-disability so can’t comment on the “wanting to be dead” aspect of the protagonist.

Well, I can.

I haven’t read the book nor am I likely to see the film after having seen those mediocre trailers. I have limited time; Hollywood dreck is something which doesn’t fit into it.

But I can speak to the truth of wishing I were dead following a disabling accident. This is going to be a longer post so tune out now if you choose. If you stay, thanks for coming along for the ride.

I was 13. I began to rouse from a coma in which people were discussing me as if I were already dead. I realized that I couldn’t move, couldn’t open my eyes, couldn’t speak. I didn’t even yet get that I was hooked up to four different tubes.
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(someone else’s unfortunate experience, no pix of mine)

But I could hear what they were saying and it wasn’t good.

“Poor thing. Maybe it’s better if she just passes over”, someone, a nurse? was saying. “She’ll never be the same. She’s probably got brain damage. I heard the doctor say that she’ll likely be severely retarded after this”.

Those were confusing words and I drifted in and out for days, fragments just like that coming into my consciousness.

“Nyla, can you hear me? Please blink your eyes if you can.”

Man, I fought like hell to blink my eyes. I fought like hell to get back inside my body any way that I could. I struggled and struggled to remember how to do it. How do you blink your eyes? Why can’t I open my mouth? What is wrong with me?

Shapes moved past me. Energy forces came and went. I heard my mother’s voice once though the fog asking, “how much longer”?

Somehow, some way, at some lost point in time, I opened an eye. Barely, then fell back into the mist from the effort of doing so. But my mother and father were beside and had seen it. They screamed for the nurses, who came, checked me, and told them perhaps they’d imagined it. But I knew that I’d done it. I’d come partly back and I was determined to do it again.
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It feels just like this.

Flash forward two months. I am at last home. I have a Frankenstein scar, a wide ditch, actually, which runs ( mercifully), just behind my hairline (though I am still bald with mere stubble growing in).

I have a drain implanted in the back of my skull which is basically just linen sticking out, oozing (to prevent infection from riddling my brain). It must be changed daily: an excruciating process which makes me cry as it is dragged, skin sticking to it, out of my head, day after day, until finally my skull is numb there forever. I am officially a numbskull. Smile.

I then must wear a customized, army green, fiberglass helmet underneath my pitiful wig in order to protect my head because HALF of my forehead is missing. My forehead just dents inward. I spend hours staring at my brain pulsing beneath the thin membrane of skin which shelters it from the outside world. I find that amazing as well as frightening.

I speak like someone who has had a stroke. Words come in strange configurations. I think I’m making sense as these thoughts come out of my mouth but the look on people’s faces let me know that I am not. My brain is rewiring itself slowly and sometimes, apparently, the wires cross.

I literally have to re-train my body to shit. It took a doctor to help because I just couldn’t remember how to push and I kept ending up with impacted bowels.

Now, I am lucky and I know it. I did relearn how to walk, how to talk (though I still have a kind of verbal dyslexia when I am too fatigued), yes, even how to shit.

After a second brain surgery, they removed the last of the bone fragments from the tissue and screwed a plate into my forehead, closing that pulsing mystery.

Though I spent half a year in special education being ignored with the rest of my peers, I made it out of there. Some of my friends did not (and I vowed then to fight for them, my friends in that corner classroom hell, and I have).

But remember, I was only 13.

I had just had my first periods before the accident and they stopped completely. Without my hair I looked like a boy, albeit with a hideous Frankenstein scar from ear to ear. One I didn’t believe my hair could possibly ever cover.

No one wanted to be my friend. I developed permanent gran mal seizures as a result of the trauma, causing me to occasionally black out, lose control of my bladder, or worse, my bowels and limbs.

I was’t allowed to participate in extra curricular activities because they were afraid another impact would do me in. I couldn’t eat my lunch in the cafeteria with the other kids because they were afraid if I was jostled too soon too hard I would, indeed, become more “brain damaged”.

My family was thrown into deep poverty due to the costs of my hospital stays, two brain surgeries, specialists, equipment needs, etc, and my friends, we had been poor before. Dad’s mill job didn’t have sufficient insurance to cover such a catastrophic event for his step daughter. No one helped them.

I hated myself and I hated my life. I couldn’t see it ever getting any better. I was a freak, I was ugly. I believed no one would ever love me.

I wanted to die.

Once, in a fit of hysteria, my mother screamed at me, “This is all your fault, this poverty we live in! If it wasn’t for you we’d be fine. I wish you’d died.”

“I wish I had, too.” I screamed back, hurting deeply but refusing to show the grief. Anger had more power. “I wish I was dead!”

And then, I realized that it was true. I wished I was dead. images

So, I do not find it hard to understand how someone whose life has been dramatically changed might feel that way. How they might think that being dead would be preferable to living. How they might fall into a void of depression which, even when it lifts, leave them imagining death as a better alternative.

Yet, I didn’t ultimately choose to die. Sorry, Hollywood!

I wasn’t rich and I didn’t fall in love with my carer yet still choose to off myself, and the system isn’t making big bucks out of my “tragedy” while negatively feeding public perceptions about what it means to become disabled when you began as an able bodied, or temporarily able bodied person. I lived.

Just like those of you who are reading this. Just like all of my friends with disabilities are doing. Just like the people I don’t know who have disabilities, or do not have disabilities, are doing. We are all living our lives to the best of our ability.

And you know something else? I’m glad I chose to live.

I think I’m a much better human than I might have been as a result of my experience. And as a bonus, I discovered theatre. I even got to share the stage with muppets. Bigger smile.bodywise Nyla McCarthy with muppets.
Children’s Theater Network and Kaiser Permanente in partnership with their touring health education program, Professor Bodywise’s Traveling Menagerie. 1986

Still, I can, and do, understand wanting to be dead when your life has fundamentally altered course from where you thought it might be headed. Especially as you grapple with the lack of meaningful inclusion and accommodation which exists in our world for people with disabilities, or confront the biases, prejudices, pity and dearth of real opportunities.

But, and this is a big but, I think making noise and fighting for rights and showing what talents and skills we possess while living and loving and laughing and growing is a much better choice than death.

So there, Hollywood. I hope you are listening.

Alistair Lack and my black shoe luck

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This is Alistair Lack. He will be leading a small group of us on a literary walking tour of Oxford the day before courses begin. He seems a very interesting man. He studied at Oxford (Modern History), then taught in India, then went on to spend some “colorful” years working in the publishing world in New York.

After that he went home where he worked for the BBC for almost 27 years, from 1971-1997, developing programs for both television and radio, almost always for the World Service. During Mr. lack’s time he has met all of the British Prime Ministers, Nelson Mandela, Terry Waite, several American Presidents and more than a few celebrities.

Moving to Oxford, he became The Secretary of The Oxford University Society (the organisation that supports Oxford alumni groups throughout the world), and then moved on to freelance work, including Oxford city and university guiding, local journalism and tutoring students in media studies. He is said to be a witty and knowledgeable guide and I believe it. I’m looking forward to our morning and the stories he will share as we amble along.

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These are the SAS walking shoes I finally decided on taking to Oxford after trying out multiple brands of shoes, including those highly recommended Keens, which just ate up my heels. I’ll be doing that walk in these loafers. I know they aren’t stylish but they sure as hell are comfortable, which is important in my book, given that artificial knee and hip which now make it possible for me to even go on a slow, literary ramble. And they are black, which means they will disappear and maybe even “go with everything”. Hah rueful hah.

I hope Alistair Lack is into black leather…